Gender issues are explored in  both(prenominal) Shakespeares The Taming of the Shrew and the Zeffirelli  depiction   reading of the p sic  by means of cultural  mise en scene, characterisation, symbolism and the  special(prenominal)  depicting of Katherina and Petruchios  alliance, and are  modify to meet the needs of in truth  assorted audiences.  Firstly, the cultural context of each text is decisive to their  picture of  gender issues in the play. Both versions of the play were  toss as comedies. Shakespeare wrote the play, his first comedy, in the  novel 16th Century, and the attitudes and  moral philosophy towards gender represented in the play are in truth  often cartridge holders a  thoughtfulness of the time period. So although a  womens rightist argument is  non explicit (Sexism & the  contest of the Sexes in The Taming of the Shrew, Linda Bamber) in the play, it is a product of a  nine where  coherent  pairings were the norm, women were traded and bartered like a comedy (Twas a  commodity lay fretting by you; T entrust  represent you gain, or perish on the seas. Tranio,  trifle 2,  prognosis 1), women had no right to vote and did not work. Indeed, Kate and Petruchios relationship is typically Elizabethan: Kate is Petruchios property, as he points  come to the fore in the Act 3, Scene 2: I will be master of what is mine own. She is my goods, my chattels, she is my house.

 My household stuff, my field, my barn, My horse, my ox, my ass, my anything. Petruchios words  tolerate no doubt as to his belief in the  time-worn marriage system that existed during Shakespeares time. In contrast, Zeffirellis film adaptation was released in the late 1960s, at the same time as womens liberation  bowel movement was  sweeping the countries of the First World. It features Elizabeth Taylor as Kate and Richard Burton as Petruchio, an interesting  plaster cast choice, given...                                        If you  pauperism to get a full essay, order it on our website: 
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